Gay guerrilla eastman11/30/2023 From The New Yorker to the New York Times, posthumous praise for the composer reigns today, recognizing him as an iconic figure in the history of America's avant-garde. Gay Guerrilla : l'histoire de Julius Eastman is the first French-language book devoted to the artist. The second is a live recording available on the New World Records CD set Unjust Malaise. Partly inspired by Patti Smith and her anthem Rock N Roll Nigger, these controversial titles were meant to honor Africans for their importance in the history of building the American economy, and constitute one of the singularities of his work. A compelling portrait of composer-performer Julius Eastmans enigmatic and intriguing. In 1990, after seven years of "voluntary martyrdom" amidst psychotropic drugs and homeless wanderings, Eastman died and fell into obscurity.Īfrican-American, Eastman used his art throughout his life as a shield against the racial tensions dividing the United States, selecting titles for his compositions (Evil Nigger Crazy Nigger) to shake up morals. Buy a cheap copy of Gay Guerrilla: Julius Eastman and His. Eastman tested limits with his political aggressiveness, as reflected in legendary scandals like his June 1975 performance of John Cages Song Books, which featured homoerotic interjections, and the uproar over his. Braving adversity penniless, yet with a few compositions in hand, in the 1970s he joined the experimental downtown New York music scene, collaborating with John Cage, Arthur Russell, Meredith Monk and Peter Maxwell Davies. A compelling portrait of composer-performer Julius Eastmans enigmatic and intriguing life and music.Composer-performer Julius Eastman (1940-90) was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco. Gay Guerrilla is a gathering around a sharedness that is also the collective acting out of difference, a dissonant and heavy group work that disrupts inherited. Eastmans provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others, assault us with his obsessions. Julius Eastman-composer, pianist and singer-began his professional journey at Ithaca College in New York State. Mary Jane Leach is a composer and freelance writer, currently writing music and theatre criticism for the Albany Times-Union.A collection of biographical and musical essays about composer-performer Julius Eastman-a compelling portrait of Eastman's enigmatic and intriguing life and music. Gay Guerrilla: Julius Eastman and His Music has arrived just in time for Black Lives Matter and gets my deepest praise. Nemo Hill, Kyle Gann, John Patrick Thomas, Mary Jane Leach, Ryan Dohoney, Andrew Hanson-Dvoracek, Matthew Mendez, and Luciano Chessa. Lewis, Renée Levine Packer, David Borden, R. Renée Levine Packer and Mary Jane Leach (University of Rochester Press) chapters by George E. Renee Levine-Packer's book This Life of Sounds: Evenings for New Music in Buffalo received an ASCAP Deems Taylor Award for excellence. Review of Gay Guerrilla: Julius Eastman and His Music, ed. The book presents an authentic portrait of a notable American artist that is compelling reading for the general reader as well as scholars interested in twentieth-century American music, American Studies, gay rights, and civil rights. Gay Guerilla sheds some light on Eastman’s method and his choices, as well as his place in music and civil rights history whilst preserving the private power in Eastman’s gentle aura an inaccessible place from which the. The essays in Gay Guerrilla offer context on Eastman's life history and the era's social landscape, commentaries on the composer's personality and talents, and analyses of his music. Julius Eastman’s reputation as a confrontational genius paints an incomplete picture of the renegade composer. These episodes are examples of Eastman's persistence in pushing the limits of the acceptable in the highly charged arenas of sexual and civil rights. Eastman tested limits with his political aggressiveness, as recounted in legendary scandals he unleashed, for example, his June 1975 performance of John Cage's Song Books, which featured homoerotic interjections, and the uproar over his titles at Northwestern University. Eastman's provocative titles, including Gay Guerrilla, Evil Nigger, Crazy Nigger, and others assault us with his obsessions. Kai Schumacher (piano), Patricia Martin (piano), Mirela Zhulali. His music, insistent and straightforward, resists labels and seethes with a tension that resonates with musicians, scholars, and audiences today. Composer-performer Julius Eastman was an enigma, both comfortable and uncomfortable in the many worlds he inhabited: black, white, gay, straight, classical music, disco, academia, and downtown New York.
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